Artist Huang Wu-Peng was born in Taichung, Taiwan in 1993. He is an Independent and versatile artist lives and works in Taipei, Taiwan till now. He is the recipient of several major awards, including award “The Collector’s Award Young Artists category Top 1” in Singapore (2021), The winner of “International Art Leaders Award” in Korea (2022), the prize of American Art Award (2021) & Art Collectors Choice Awards & WORLD ART AWARD(2024) in USA. He also has received numerous prestigious international awards from Taiwan, Italy, Argentina, Jordan, Costa Rica, Colombia, reflecting the growing recognition of his talent and artistic style. He held four solo exhibition including “I remember, I never forget” in Taiwan(2016), “The Untouchability in Dahuang” in Taiwan(2018), “Di Theory” in Thailand(2018), “Dante’s infernal world” in Taiwan Farglory Museum(2018) and participated in numerous important international group exhibitions around the world. In Huang Wu-Peng's opinion, art methods are a container that keeps the quality of an author's own mental projection. Audiences are able to review an artwork to understand the "mindset" of an artist and its related content. For example, whether a painting of landscape made by the hand of an old master has a subjective vision or not? Follow the question to think, there is a phenomenon could reasonably be found, it is that the objective form of things is difficult to be realized by a person when he watches the landscape through a container, because the reality he watched was based on a physical condition that allows him to discover, and how a person uses his physical capabilities is also influenced by his mental conditions. From the perspective of cultural geography, the so-called landscape is actually a humanistic topic, which means how we observe a landscape records the history of human activities. It is not simply limited to landscapes, how a character being expressed is also influenced by the subjectivity of a person, that could also easily be found in many paintings. As an obvious example, the characters within are artificially "epilated". As a conclusion, the fact that art methods have been regarded as a container explains its neutral characteristic, the preference of value is barely endowed by a man. When we back to the topic of Huang Wu-Peng's art, the audience can discover a tendency about idealism, that tells us even if the significance of an object with the feature of realism is also related to what beyond its container. In other words, the reality a person can have is produced under subjective condition, thus his subjective cogitation is reasonably the objective world he lives in.